
Congrats to wee Smash, for her prize winning "Naked Hacked Up Chick Cake". I'm so proud to blog about one of my besties winning an office Halloween bake-off. (Even if it is a tad creepy)


"In the 1960s Yves Saint Laurent made an indelible mark on fashion with clothing emblematic of the new modernity. Yves Saint Laurent, organized by FAMSF and The Montreal Museum of Fine Arts in collaboration with the Fondation Pierre BergĂ©-Yves Saint Laurent, explores the designs that made Saint Laurent famous, and his inspirations drawn from art, theatre, history, literature, and nature. This exhibition contains nearly 130 accessorized garments and sketches illustrating the lines, colors, and fundamentals of Saint Laurent’s work. This is the only U.S. venue. A catalogue accompanies this exhibition."
For more info on the de Young, click here.

Hair as an erotic subject matter.
The films of Alexander Jodorovsky.
Retro-futurism.
Metaphysical Naturalism.
Vampyros Lesbos soundtrack.
Brasilian soft-porn from the 70's.
AUTISTA mashes up all of the above and brings to OXENROSE Salon & Gallery its up and coming exhibit:
THE DIRTY HAIRY SHOW.
OPENING RECEPTION AT OXENROSE WITH JUXTAPOZ MAGAZINE
SATRUDAY OCTOBER 25TH, 2008 8-11:30PM!
DRINKS, MUSIC, FILM, MEET THE ARTISTS!
Aubrey O'Day And D. Woods Kicked Out Of Danity Kane, Diddy AnnouncesDismissal announced during the live season-three finale of 'Making the Band 4.'

When I was a kid I used to pray every night for a new bicycle.
Then I realized God doesn’t work that way, so I stole
one and prayed for forgiveness.
- Emo Philips


A rapturous, decades-spanning tale of Prague's rock revolution, Tom Stoppard's Rock 'n' Roll follows the passions and politics of a Marxist professor in Cambridge and his Rolling Stones–obsessed protĂ©gĂ© fighting for freedom in Soviet-dominated Prague. Nominated for four 2008 Tony Awards, Rock 'n' Roll pulsates to the beat of the Stones, Pink Floyd, and Syd Barrett, Floyd's disturbed genius, whose reclusive life becomes a haunting motif of the play.
"Triumphant . . . Stoppard's finest play"
The New York Times